• For as long as I can remember I have created hand-drawn lettering - everyone I know shares the baffling experience of receiving a birthday card from me adorned with an illegible new script.

    I have no formal grounding in the design of fonts, however, so it is probably a crazily ambitious goal that I have now set myself: to design a different alphabet, every month, for a year.

    Apologies in advance to genuine graphic designers for crass errors, accidental plagiarism etc.!

Fonts & Typography

  • The first alphabet in my monthly series was inspired by a years-old memory: I used to travel to a project in Sutton regularly by train, and every time I would pass through Loughborough Junction Station my eye would be caught by an ancient advertising board, fixed to the flank wall of a building beside the tracks, for Snopake correction fluid.

    The blocky three dimensional letters were so weathered by time that they were almost unintelligible, eroded to be more like pebbles or teeth.

    I was always rather taken by its decayed beauty, and speculated to myself as to my chances of sneaking back one night and stealing it without getting caught: I didn’t fancy having to explain this peculiar design-crime to the investigating officers.

    It may still be there, if anyone wants to steal it for me, though by now it is probably eroded beyond all recognition.

  • Geranium Robertianum has an image problem. It is an invasive weed, and its unpleasant odour has caused it to acquire the undignified sobriquet ‘Stinking Bob’.

    However I was drawn to the delicate tracery of deeply cut leaves springing up in every crack in the paving of my terrace - and identified it as the ideal solution to a very specific decorative purpose.

    I set out to devise an alphabet inspired by the plant based designs of the Arts and Crafts movement: the wallpaper and fabric designs of William Morris, or the Ceramics of William de Morgan, but with a key difference. I set out to create a pattern of leaves, stems and flowers that could extend across the junctions between the letter panels seamlessly, and be different in every instance.

    Each Stinking Bob leaf is is made up of five sections of different sizes, but all are structured almost identically.

    This characteristic made it the ideal plant for my purpose, as leaves of a range of sizes and orientation could be situated at each point of connection, and any portion of the design could abut any other, creating the illusion of a continuous and organic veil of vegetation.

    Thank you Stinking Bob!